Master Gyeong-Heo is esteemed as a great revivalist of contemporary Korean Seon following on from Seon Master Hu-jeong Cheong-Heo (1520-1604).

 

Master Gyeongheo lived during a particularly violent, agitated period of the country, when the Joseon Dynasty was collapsing and Japanese colonization was just starting. He was born as the second son of his parents at Jadong-ri, Jeonju in 1846 C.E. He lost his father at an early age, and then his mother went to live with him at Cheonggyesa Temple when he was 8 years old; there he began to live as a monk under Venerable Gyeheo. When he was 13 years old, he first learned Chinese characters from a Confucian scholar who was staying at the temple. Learning came easily to him and he was praised as a brilliant boy. In the winter of the same year, Venerable Gyeheo recognized Gyeongheo’s ability and so sent the boy to study under a famous lecturer, Manhwa, in Donghaksa Temple. Gyeongheo learned and studied not only Buddhist sutras but also the Confucian and Taoist texts. When he was 22 years, he was appointed to the post of lecturer and taught the students at the Buddhist academy of Donghaksa Temple.

 

When he was 33 years old, there was a major change in his life. On the way Seoul to see his previous teacher, Gyeheo, who had given up his robes and returned to secular life, a heavy storm came up. In desperation, he went from door to door in the hope of finding shelter from the rain. At each house he was rejected as the families were afraid he would bring the raging epidemic to their house. Unable to find shelter, he was forced to spend the whole night under a big tree outside the village. He struggled with fear and with death. At that moment, he suddenly realized that the truth that the principle of life and death in his heart and so actually realized are the facts that he had only known intellectually until then. Then, he said, “Even though I am totally ignorant, I must be free of words. As I search through the teachings of the great masters, I will go beyond this world.” And he made a resolution in this pious and serious state of mind. The next day he returned to Donghaksa Temple, and then and there decided to no longer teach his students. He shut the door of his room and devoted himself to investigating his hwadu. After three months of diligent practice, he attained enlightenment on hearing the question of a novice, “ A cow has no nostrils? What does that mean?”

 

In spring of the next year, he moved to Cheonjangam Hermitage in Mt. Yeonamsan, and continued the practice which succeeds enlightenment. He said he was continuing the lineage of Yongam who was a successor of the Cheongheo and Hwanseong. At the age of 34, he recited his Nirvana poem. 

For the next 20 years, from that time on, he founded many Seon training monasteries not only at Cheonjangam and Sudeoksa Temple, but also Beomeosa and Haeinsa in Gyeongsang-do Province, Songgwangsa and Hwaeomsa in Jeolla-do Province. He developed and spread the Seon tradition nationwide by teaching many Seon monks. He especially influenced the disciples of masters Mangong Wolmyeon, Hyewol, Suwol, Hanam and other Seon monks who have been instrumental in developing contemporary Buddhist history. These masters and monks, who succeeded the Seon tradition and lineage, made the foundation of the Jogye Order which is the center of Korean Buddhism today.

 

Master Gyeongheo suddenly disappeared from public view and the Buddhist world in 1905 C.E. when he was 59 years old. Up until then he had been involved in many projects, delivering a lot of dharma talks and attending many assemblies as a dharma teacher and an observer. He took to wearing secular clothes and he let his hair grow. He wandered around Ganggye in Pyeongan-do and Gapsan in Hamgyeong-do, and taught illiterate children. His disciples said that when he was 66 years old, on April 25^th, 1912, he entered into final Nirvana. The following poem is his last hymn before his death. 

 2.      Writings

 

The existing writings of Master Gyeongheo were compiled by his disciples rather than written personally by him. In 1942, thirty years after his death, his disciple Mangong collected the late Gyeongheo’s materials and published a book, A Collection of Gyeongheo. This included such chapters as “Master’s Dharma Talks,” “Preface,” “Records,” “Letters,” “Activities,” “Poems,” “songs,” and his disciple “Hanam’s Activities,” and “A Short Lineage” written by Manhae Han Yong-un. The dharma talks encompass his main ideas and include “The Weeping of a Muddy Ox,” and “ How to Live as a Monk.” “The Song” emphasized the way of Seon practice and aspects of spreading Buddhism to the public while “The Preface” and “The Record” included the aims and major characteristics of The Retreat Community of Samadhi (meditation)and Prajna (wisdom).

 

In 1981, The Dharma Talks of Master Gyeongheo was published and this book included new material which had never been published before. For instance, “Hymns of Mt. Geumgangsan Travels,” “The 40 Verses of Seon,” “The “Biography of Master Gyeongheo written by Master Hanam,” “Thirty-eight Amusing Anecdotes of Master Gyeongheo” were added to the this edition.

 

Seonmun chwaryo ( The Essential Sayings of the Seon House), a collection of the Seon Masters’ sayings and studies in China and Korea compiled by Master Gyeongheo in early 1900 C.E., is well known as a text of Seon.

 

 

Master Gyeongheo showed himself as a mirror of Seon practice as he made special efforts to improve the Seon tradition through the foundation of a retreat community and the re-opening of many closed Seon monasteries. He was 53 years old when he founded the retreat community was in 1899 C.E. The community succeeded the tradition of The Retreat Community of Samadhi and Praijna of Master Bojo during Goryeo. The aim of the retreat community was the attainment of enlightenment. The main characteristic of this retreat community was to have a realistic view of liberation, with the vow of rebirth in the Trayastrimsa heaven (the heaven of the thirty-three gods). This is not for people who can attain enlightenment by themselves, but for the poor and the suffering whose only hope is through faith and vow.

 

In late Joseon, when Master Gyeongheo lived, the Seon tradition of the Seon Order which had been established in the late Silla period, was almost non-existent and practitioners were hard to come by. It was due to the retreat community of Master Gyeongheo that the Seon tradition was revived.

 

He continuously taught Seon, yet he was not limited to Seon practice; he openly enjoined the practices of chanting and mantra recitation and considered them as equally beneficial. In particular, he insisted on the unification of the Seon and Doctrinal approaches.

 

His thought was reflected in his other writings, “Song of the Ox Herd” and “Verses of the Ox Herd.” In these works he explains how the innate Buddha Nature is discovered and developed by using the symbolism of the ox. His view was different from those of other ox herd pictures popularized at that time, he didn’t even stick to the schematic pictures, nor even the number of ten scenes. He emphasized the innate place of Self Nature rather than simply showing the stages of evolution of the black ox into a white ox. In the final stage of the series, he would teach, “The ox herder, carrying his bag and ringing a hand bell, returns to the village; this is the final stage of an accomplished man.” This statement underlines the importance of drawing compassion into worldly life, thus benefiting all human beings and all other beings as well.

 

Master Gyeongheo was a reformer of Seon who made Seon practical and popular; he is revered as one of the great pioneers of Seon in showing the ultimate stage of enlightenment. He always extolled the virtues of Seon not only in his dharma talks but also in his dialogues and encounters of Seon questions and answers. His unusual behavior and written message were expedient means for spreading the teachings of Seon.